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What went wrong?

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HHC-CSMN
Whoops




? posts
Joined: [2016-2026]
Posted - 2021/08/07 :  23:13:44  Show profile
https://www.youtube.com/watch?v=rRI4b4fNZB8&ab_channel=SparkzMusic

Not posted in tune promo's because it's a genuine question to you guys regarding it's failure. What should I have done different? What was missing? Was it actually "S**t" at the time?

Bad idea to go "gabber" well, more half cut eastern european. Nice to see what people can advise me with, even brutally.


Move to tracks if you like but I'm purely after the feedback rather than the track being promoted. Cheers.


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Advather
Senior Member



United States
256 posts
Joined: Jun, 2013
Advather has attended 1 event
Posted - 2021/08/08 :  03:49:17  Show profile  Send a private message  Visit Advather's homepage
What went wrong exactly? Low sales?

It sounds to me like the mids/highs are muddy. Maybe too many overlapping frequencies from different elements.

I'm not much of a gabber fan, but I like it quite a bit.


__________________________________
Producers and record labels, please stop "loudness war" mastering everything. It sounds terrible.


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Edited by - Advather on 2021/08/08 03:50:54
Samination
Advanced Member



Sweden
10,214 posts
Joined: Jul, 2004


195 hardcore releases
Samination has attended 17 events
Posted - 2021/08/08 :  05:26:36  Show profile  Send a private message  Visit Samination's homepage
It's only wrong if you were trying to be formulaic. It sounds good enough as it is.

__________________________________
---------------------------------------------
Samination, Swedish Hardcore DJ
Happy, UK Hardcore, Freeform, Makina and Gabber
http://samination.se/
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Edited by - Samination on 2021/08/08 05:26:55
thedjjudah
New Member



United States
24 posts
Joined: Feb, 2009
Posted - 2021/09/14 :  01:16:54  Show profile  Send a private message  Visit thedjjudah's homepage
Yeah man, this seems fine to me!



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Anon.
Starting Member



United Kingdom
10 posts
Joined: Dec, 2014
Posted - 2022/03/14 :  10:19:42  Show profile  Send a private message  Visit Anon.'s homepage
quote:
Originally posted by Samination:
It's only wrong if you were trying to be formulaic. It sounds good enough as it is.



No it doesnt.

Its all over the place.



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DJ_FunDaBounce
Advanced Member



Colombia
1,099 posts
Joined: Nov, 2001
Posted - 2022/03/14 :  16:49:18  Show profile  Send a private message  Visit DJ_FunDaBounce's homepage
I like it. Went well in that set of Crescendo tracks M@rt!n-J made.

__________________________________
"Fun with a capital F-D-B!"

http://djfundabounce.com




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Archefluxx
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United Kingdom
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Posted - 2022/03/19 :  08:12:32  Show profile  Send a private message  Visit Archefluxx's homepage
Interesting thread. Credit to you for recognising when a track doesn't do what you want it to. Could I ask, how do you quantify that it was a failure?

I'm no expert on this genre, but I do think there's a mismatch between the modulating kick (which carries the bass note) and the lead which depends on that bass note to work.

You have a kick that bounces up and down notes quite sporadically, when you probably just needed the kick to serve the modulating bass to validate the lead that needs it.

This is my benchmark example of this. Listen to how the modulating kick serves the lead: (2:26)



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DJ_FunDaBounce
Advanced Member



Colombia
1,099 posts
Joined: Nov, 2001
Posted - 2022/03/20 :  01:18:44  Show profile  Send a private message  Visit DJ_FunDaBounce's homepage
Calling it a failure is a bit harsh. In retrospect and in comparison to the track Olly posted, to my ears, each track really is it's own thing.

I get the pitch thing moving in unison with the bass. But if you listen to Sam's track, it's more like a bass guitar playing a different bassline to a rhythm guitar section. It may be uncommon in dance music but it could happen in any other genre.

...and then they would call it as "thinking outside the box"

!

PS: Success in hardcore...

Is it really what we think it is?


__________________________________
"Fun with a capital F-D-B!"

http://djfundabounce.com


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